The Petyt Library

A shelf of books from the Herzog August Bibliothek in Wolfenbüttel, Germany. Image by Rachel Hammersley.

As an undergraduate I loved to scan the office shelves of the academics who taught me to see what books they owned. Later, I think the sight of my future husband's amazing collection of early modern books (stuffed into a small bedroom in a shared house in North London) was one of the things that attracted me to him. Part of this was of course library envy, but I think I always had a sense that the books a person displays on their shelves reveal something about who they are as a person.

The libraries of people from the past - especially scholars or political figures - can also provide insight into the influences on them and the development of their ideas. I currently have a PhD student who is reconstructing the library of King James VI and I, which is yielding fascinating information about his interests, contacts, and ways of working. Beyond royalty and the aristocracy it is rare to find much detailed information about the libraries of early modern figures. Some valuable reconstruction projects do exist. These include 'Hooke's Books' (https://hookesbooks.com), a database of books owned by the scientist Robert Hooke based on Bibliotheca Hookiana, the auction catalogue produced after he died, and incorporating other surviving books that bear marginal annotations by him. It is, of course, much rarer for the bulk of the books still to be held together, though we do have Samuel Pepys' Library at Magdalene College in Cambridge and Edward Stillingfleet's collection at the Marsh Library in Dublin.

Portrait of William Petyt holding a copy of Magna Carta (c.1690) by Richard van Bleek from the collection at the Tower of London. Reproduced from Wikimedia Commons.

Consequently, the Petyt Library is a treasure for those interested in early modern books, scholarship, and reading habits. This library was transferred on long-term deposit from Skipton (where it had been held since the early eighteenth century) to the University of York in 2018. It is the library of not one but two individuals, the brothers Sylvester and William Petyt, both of whom were born and educated in Skipton before becoming lawyers in London. Sylvester became Principal of the Society of Barnards Inn in 1701. As well as being Keeper of the Records in the Tower of London between 1689 and his death in 1707, William was also the author of several works including The Antient Right of the Commons of England Asserted. Published in 1680 at the height of the Exclusion Crisis, this book justified the moves by Parliament to try to prevent James, Duke of York, from acceding to the throne on account of his Catholic beliefs.

Both men took care over what happened to their books. William requested in his will that his be preserved and kept 'safe and entire for publick use' (The National Archives: PROB 11/497/15). Some of his collection (in particular his manuscripts) went to the Inner Temple when he died and there is also a collection of pamphlets owned by him in the Middle Temple, but a number of his books were among those that Sylvester sent to Skipton.

William Petyt, The Antient Right of the Commons of England Asserted (London, 1680) in the volume Jane Anglorum facies nova, or, Several monuments of antiquity touching the great councils of the kingdom… Philip Robinson Library, Newcastle University. Special Collections: Bradshaw 342. 42 ATW. Reproduced with permission.

The library comprises approximately 4,600 books and pamphlets published between 1480 and 1716. As might be expected in a collection forged at this time, religious debates, political and legal controversies, and scientific treatises are all areas well-represented. The historical value of the collection is further enriched by the presence of a catalogue and manuscript notes telling the history of the library and its various movements. Having been sent to Skipton by Sylvester in the early eighteenth century, many of the books were housed in Skipton parish church. From there they were moved to the town's grammar school in 1881 and then to Skipton Public Library in the early twentieth century.

The Petyt Library offers valuable insight into the minds of these late seventeenth-century legal experts and the turbulent times through which they lived, and a revealing window onto the history of book ownership and libraries. Both aspects were reflected in the papers presented at the symposium held at the University of York on 20th June 2024. Yet, perhaps not surprisingly, thinking more deeply about the collection (as the excellent papers prompted us to do) tended to raise more questions than answers and to complicate rather than clarify. As Brian Cummings rightly commented in his closing remarks, there is a paradox in that the Petyt Library offers a wealth of material and yet it is difficult for us to make sense of it.

A central problem, hinted at in the introductory remarks by those at York who have been working with the Petyt Library and raised explicitly by Giles Mandelbrote in the first panel on early modern libraries and collecting practices, is whose library we have here. Not only does the collection now held at York include books that were once owned separately by William and Sylvester, but, as noted above, William's library was divided between the Inner and Middle Temple and Skipton. Moreover, the collection sent to Skipton was, at its origin, two libraries not one, since it was divided between the church and grammar school with the records suggesting that books were deliberately sent to one or the other.

There is also the question of purpose. Jessica Purdy noted that parish libraries are far from uniform, since they tend to reflect the aims and interests of the individuals who founded them. Moreover, there is a sharp distinction between a working library that was left in situ or to an institution after the owner's death, and an endowment library designed to suit the needs of those for whom it was constructed. In the case of the Petyt Library, the books sent to the grammar school do seem to have been primarily pedagogical but the origins and purpose of the books sent to the church may have been more complex.

The Petyt Library also highlights the complex relationship between a library as a list or catalogue and as a collection of books. As Sarah Griffin discovered when the books started arriving at York, there are far more books in the collection than the catalogue suggested and yet, as Anouska Lester explained, 26% of the books in the catalogue are not now in the Library. Moreover, thanks to a major rebinding project in the 1950s, the books are no longer in their original bindings, and books that were originally bound together in Sammelband volumes have been separated (though Mark Jenner did offer the exciting prospect that it may be possible to reconstruct what was in them). The importance of seeing books as physical objects is something I have been exploring in my own research. I touched on this in my paper on the different approaches to the Exclusion Crisis reflected in the responses to Robert Filmer's Patriarcha written by William Petyt, Henry Neville, and James Tyrrell. Those approaches are evident not just in the distinctive use of vocabulary and sources, but also in the typeface deployed and the layout of the words on the page. Moreover, these elements complement - and in some case are even integral to - the arguments being made.

William Petyt, The Antient Right of the Commons of England Asserted, as above. This image shows one of the historical documents appended to the work.

The other set of reflections raised for me by the papers and subsequent discussion, centred on the themes of history and memory. In our panel, Mark Goldie and I explored the political languages deployed in the Exclusion Crisis debate. While the natural law approach - reflected in works by Tyrrell, John Locke, and Algernon Sidney - is often seen as having been dominant, William Petyt's more historically-minded approach, which drew on the language of the ancient constitution, was significant and influential at the time. History, and historical sources, lay at the heart of Petyt's argument (indeed he included copies of several historical documents at the end of The Antient Right). Mark reflected on Petyt's role in that volume as a keeper and curator of records - deciding and enacting which should be presented, how they should be interpreted, and which should be hidden from view. He noted that this mirrored both William's status as a collector of manuscripts himself - since there is evidence that he made them available to others - and his official position as Keeper of the Records in the Tower.

Curation determines not only history but also memory, and the question of memory and myth-making loomed large in the final panel as well as being raised explicitly by Laura Stewart in her closing remarks. The Petyt brothers grew up in Skipton during the Civil Wars. As Andy Hopper explained to us, Skipton Castle was a royalist garrison and saw much violence (including a siege in 1645 and the slighting of the castle in January 1649). These events left scars on the landscape, on buildings, and - as the Civil War Petitions project demonstrates - on local people. This gives significance to the large number of civil war pamphlets within the Petyt collection. Moreover, it was noted that just as Lady Anne Clifford's rebuilding of Skipton Castle, and her construction of a tomb to her ancestors in Skipton parish church, reflect her attempt to stamp her mark on the town (following a long legal battle to secure her property), so the Petyts' donation of the library was perhaps designed to serve as an equivalent or counterpoint to her acts of memorialisation.

There is another parallel, both Lady Anne and the Petyts used books and paintings as part of their memorialisation. Lady Anne's 'Great Picture' is a fascinating image that depicts her at different stages in her life, alongside carefully chosen books and portraits. This took me back to the case study that Hannah Jeans had presented to us at the beginning of the day. Among the manuscripts relating to the library, she explained, is a list of portraits that were sent alongside the books. It is not clear whether these were intended to be hung with the books, or even whether they were destined for the church or school. What the list does provide is a distinct sense of the circles in which the Petyts moved. It includes paintings of national figures, representatives from London's legal world, and leading figures from Skipton, and ends with portraits of the two brothers themselves. Significantly Lady Anne Clifford and her father George are included on the list, but not her uncle Francis nor her cousin Henry. The list, therefore, endorses her claim to the Skipton lands, and effectively erases her uncle and cousin from their title and history. As this suggests, history and memory are malleable and subject to reconstruction. In this context, documents and books are powerful tools and those who curate them, as the Petyts did, wield great power over what is remembered and what is consigned to oblivion.

Intellectual Biography as Memorialisation

johnaubrey.jpg

My last two posts have focused on methods of memorialisation,  specifically funeral monuments and commemorative events. In this post I want to explore what is in some ways a more lasting method of memorialisation - the biography. A relevant example is John Aubrey’s Brief Lives which comprised accounts of almost three hundred lives, and marked an important moment in the shift towards the modern biographical model. Aubrey writes particularly eloquently on the role of the biographer. He described his main aim in Brief Lives as being to avoid 'worthy men's Names and Notions' from being 'swallowed-up in oblivion'. As his recent biographer Ruth Scurr writes: 'He had an acute sense of how quickly living memory dies, and wanted to preserve what he could on paper'. (Ruth Scurr, 'Faithful innovator', Times Literary Supplement, 18 March 2016.) Ultimately, Aubrey likened the biographer's task to that of a magician:

'So that the retriving of these forgotten Things from Oblivion in some sort resembles the Art of a Conjuror, who makes those walke and appeare that have layen in their grave many hundreds of yeares: and to represent as it were to the eie, the places, Cuystomes and Fashions, that were of old Times'. (Aubrey's Brief Lives, ed. O. Lawson Dick, Harmondsworth, Penguin, 1949, p. 162)

thomashobbes.jpg

Bringing the dead back to life might seem like a tall order for a potential biographer, but it can hardly be doubted that Aubrey succeeds in this aim. Excellent examples can be found in the life which sparked Brief Lives, that of Thomas Hobbes. In the first place, Aubrey had a wonderfully precise and idiosyncratic way of describing his subject's visual features:

'In his old age he was very bald (which claymed a veneration) yet within dore, he used to study, and sitt bare-headed, and sayd he never tooke cold in his head, but that the greatest trouble was to keepe-off the Flies from pitching on the baldnes... Face not very great; ample forehead; whiskers yellowish-redish, which naturally turned up - which is a signe of a brisque witt. Belowe he was shaved close, except a little tip under his lip...

He had a good eie, and that of a hazell colour, which was full of Life and Spirit, even to the last. When he was earnest in discourse, there shone (as it were) a bright live-coale within it. He had two kinds of lookys: when he laugh't, was witty, and in a merry humour, one could scarce see his Eies; by and by, when he was serious and positive, he opene'd his eies round.' (Aubrey's Brief Lives, pp. 313-4.)

Yet, Aubrey was equally good at describing, the more private aspects of his subjects. As, for example, in this extract on Hobbes's manner of writing Leviathan

'He sayd that he sometimes would sett his thoughts upon researching and contemplating always with this Rule that he very much and deeply considered one thing at a time... He walked much and contemplated, and he had in the head of his Staffe a pen and inke-horne, carried always a Note-book in his pocket, and as soon as a notion darted, he presently entred it into his Booke, or els he should perhaps have lost it. He had drawne the Designe of the Booke into Chapters, etc, so he knew whereabouts it would come in. Thus that booke was made.' (Aubrey's Brief Lives, p. 311).

jamesharrington.jpg

Aubrey is perhaps the most important contemporary source for Harrington's life, and the description of his appearance is equally vivid: 'He was of a middling stature well trussed man strong, and thick, well sett, sanguine. quick-hott-fiery hazell-Eie. thick curld moyst haire' (John Aubrey, Brief Lives, ed. Kate Bennett, I, p. 322.) Aubrey also offers enlightening information on Harrington's ideas and how he came to them:

'He made severall Essayes in Poetry; viz. love-verses etc. and translated ... booke of Virgills Aeneid but his Muse was rough: and Mr Henry Nevill, an ingeniose, and well-bred Gent, a member of the House of Commons, and an excellent (but concealed) Poet, was his great familiar and Confident friend: and disswaded him from tampering in Poetrie which he did in vitá Minervâ and to improve his proper Talent, viz Politicall Reflections. Whereupon he writ his Oceana, printed London...

intellectualbiographiesposter.jpg

Now this Modell upon Rotation, was that the third part of the Senate Howse, should rote out by Ballot every yeare, so that every ninth yeare the Howse would be wholly alterd. no Magistrate to continue above 3 yeares, and all to be chosen by Ballot. then which manner of Choice, nothing can be invented more faire, and impartiall.' (John Aubrey, Brief Lives, pp. 318 and 320.)

The nature of biography and its functions is currently on my mind since not only am I in the midst of writing a book entitled James Harrington: An Intellectual Biography for Oxford University Press, but I am also hosting a workshop on Early-Modern Intellectual Biographies at Newcastle University on Tuesday 4 July.

intellectualbiographiesprogramme

At this workshop five other scholars will join me in discussing their recent experience of writing about a leading seventeenth-century English figure or figures. Several Newcastle colleagues with experience of working on intellectual biographies about people of other places and times will also contribute. By listening to these papers and commentaries, and discussing the issues they raise, I hope we will be able to explore some of the opportunities and challenges that this genre offers. These might include exploring appropriate ways of integrating biographical detail with analysis of the subject's thought and writings; considering the ways in which an individual life might illuminate a period more generally; and addressing the issue of how to balance a concern with enhancing the memory of a person with documenting all of the relevant facts about their life and thought.

There is also a sense in which the life of the mind can potentially continue to play a role posthumously; whereas death, literally, places a final date on the life of action. This fact is in my thoughts at present since my husband John Gurney's final article 'Gerrard Winstanley and the Left', which he was working on when he died, has just been published in Past and Present. Despite two and a half years now having elapsed since his death, John's mind now has a fresh opportunity to influence others. 

All of this also makes me wonder about my own motives for turning to the genre of intellectual biography in the aftermath of John's death. I was conscious from the start of being driven into working on Harrington because of the research that John had already undertaken, and the notes he left to me. I have commented elsewhere on how this project operated as a bridge between my old life with him and my new one without. But now I wonder also whether there is not something especially appealing to me at this time about Aubrey's idea of biography as a conjuring trick.