The Seventeenth-Century Fitbit and Other Early-Modern Inventions

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As I start to write this, my children and I are in our final days of training for the Junior Great North Run, in which they are participating to raise money for Cancer Research. We have also recently completed our annual Bank Holiday walk, which is another way in which we as a family remember my late husband, John Gurney, since walking was a particular passion of his. This year we walked up the Northumberland Coastal Path from Craster to Berwick upon Tweed over four days. Given all this activity, our Fitbits, the nifty pedometers that strap to your wrist and measure your steps, have been much used. The Fitbit seems to represent a characteristically twenty-first century idea, combining current obsessions with fitness and digital technology, but, while researching my intellectual biography of James Harrington, I came across a description from the mid-seventeenth century of what appears to be a very similar device: 

Portrait of John Wilkins by Abraham Blooteling, after Mary Beale, c.1670. National Portrait Gallery, NPG D19054. Reproduced under a Creative Commons License.

Portrait of John Wilkins by Abraham Blooteling, after Mary Beale, c.1670. National Portrait Gallery, NPG D19054. Reproduced under a Creative Commons License.

They have been contrived also into little pocket instruments, by which after a man hath walked a whole day together, he may easily know how many steps he hath taken. (John Wilkins, Mathematicall Magick, or, The wonders that may be performed by mechanicall geometry, London, 1648, p. 163).

The author of this passage, John Wilkins, was a theologian, natural philosopher, and the Warden of Wadham College Oxford. He was not the inventor of this device, but was describing an instrument he had read about in the works of the Roman architect and engineer Vitruvius who lived during the first century BCE, making this precursor to the Fitbit not simply a seventeenth-century idea, but one with its roots back in the ancient world.

Frontispiece to John Wilkins, Mathematicall Magick. This and the other images below are all reproduced with permission from the Robinson Library, Newcastle University. Special Collections, Friends 38.I am grateful to Sam Petty for assistance in repr…

Frontispiece to John Wilkins, Mathematicall Magick. This and the other images below are all reproduced with permission from the Robinson Library, Newcastle University. Special Collections, Friends 38.

I am grateful to Sam Petty for assistance in reproducing these images.

Wilkins's book, Mathematicall Magick, was a popular guide to mechanical inventions. In the spirit of the scientific circles in which he mixed, Wilkins set such knowledge firmly in a religious context, citing Heraclitus on the idea that divine power and wisdom could be discerned even in the common arts. He was also keen to emphasise the utility of such knowledge and the importance of it being disseminated widely. He noted that the eminence of the Germans for mechanical inventions had been attributed to the public lectures given there in Latin and the vernacular. He perhaps hoped his book would perform a similar function in England. Certainly, publishing in English, at a time when many scientific books still appeared in Latin, was deliberate. Explaining his choice of title, Wilkins alluded both to the audience at which the book was directed and its aim:

This whole Discourse I call Mathematicall Magick, because the art of such Mechanicall inventions as are here chiefly insisted upon, hath been formerly so styled; and in allusion to vulgar opinion, which doth commonly attribute all such strange operations unto the power of Magick (Address to the Reader).

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In an attempt to enlighten his readers, Part 1 of the work described the six primary mechanical principles: the balance; the lever; the wheel; the pulley; the wedge; and the screw. Part 2 examined the various kinds of automata that could be developed on the basis of these principles. It was here that various inventions, including the description of the forerunner to the Fitbit, could be found.

Other inventions described in the book are equally prescient. Wilkins devotes some attention to Marin Mersenne's idea of 'a ship, wherein men may safely swim under water', effectively a submarine. (p. 178). He claims that this was already subject to practical experimentation in England by Cornelius Dreble. Wilkins admitted that the idea had not yet been perfected, noting three particular difficulties: how to get things into and out of the vessel without taking in water; how to direct it to particular destinations in the absence of winds and tides for motion and sight of the heavens for direction; and how to get air into the vehicle for respiration and fire for light, warmth and cooking without causing further problems. He went on to offer potential solutions for each.

Unfortunately no illustrations of the submarine or flying chariot appear in the text, but this image and the next are of the ‘sailing chariot’ which Wilkins also discusses.

Unfortunately no illustrations of the submarine or flying chariot appear in the text, but this image and the next are of the ‘sailing chariot’ which Wilkins also discusses.

Wilkins also explored the possibility of a flying automaton that could propel itself. He was well aware of the potential utility of such a machine, claiming: 'there is not any imaginable invention that could prove of greater benefit to the world, or glory to the Author'. (p. 195). The most likely means by which human flight might be achieved, Wilkins suggested, was by flying chariot. While he acknowledged the difficulties involved in creating a vehicle that would be large enough to hold a human and yet light enough to be propelled, he did not think it improbable that the difficulties would be overcome in time. He was also forward-thinking in his sense of the possibilities it would offer:

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besides the discoveries which might be thereby made in the lunary world; It would be serviceable also for the conveyance of a man to any remote place of this earth: as suppose to the Indies or Antipodes. For when once it was elevated for some few miles, so as to be above that orb of magnetick virtue, which is carried about by the earths diurnall revolution, it might then be very easily and speedily directed to any particular place of this great globe. (p. 220).

In aspiration, if not quite in detail, Wilkins was often not far wrong.

Harrington ridiculed Wilkins’s suggestion, illustrated here, that it would be possible to uproot a tree using only a machine constructed of two double pulleys, twelve wheels and a sail.

Harrington ridiculed Wilkins’s suggestion, illustrated here, that it would be possible to uproot a tree using only a machine constructed of two double pulleys, twelve wheels and a sail.

While I came across Wilkins during research into Harrington, the relationship between these two men was not happy. They were born near each other in Northamptonshire in the early 1610s, attended Oxford University, and spent time during the 1640s in the service of Charles Louis, the Prince Elector Palatine, with whom they both appear to have had a good relationship. Wilkins even dedicated Mathematicall Magick to Charles Louis, to whom he claimed to owe everything. Yet Wilkins' friend, Matthew Wren, claimed that Harrington saw Wilkins as 'one averse from his Principles and Designes' and suggested mischievously that dedicating his own attack on Harrington to Wilkins would 'excite' Harrington's 'utmost rage'. (Matthew Wren, Monarchy Asserted: Or the State of Monarchicall & Popular Government, London, 1659, The Epistle Dedicatory). I explore the antagonism between Harrington and Wilkins on political, methodological, religious and philosophical matters in my forthcoming book.

My British Academy Fellowship has now ended and by the time this blogpost appears the book that I was working on during that Fellowship should have been submitted to the publisher. In the lull following the effort of completing the book manuscript, I will use the next few blogposts to reflect on some of the fascinating primary texts I have come across during my research into Harrington, of which Wilkins's Mathematicall Magick is a good example.

Pound coins, farthings and 'Haringtons'

Old £1 coins. Image Rachel Hammersley.

Old £1 coins. Image Rachel Hammersley.

At midnight on 15 October 2017, the old rounded version of the £1 coin will cease to be legal tender, being replaced by the 12-sided alternative, which has been in circulation since 28 March. The main reason for this replacement is security. An official website describes the new £1 coin as 'The most secure coin in the world' due to various security features which make it difficult to counterfeit. Though the nature of coinage and the organisation of the monetary system has changed dramatically since the seventeenth century, the government then also had to provide coinage that was fit for purpose and fought an almost constant battle against counterfeiting. While coinage was not discussed directly in Harrington's constitutional model, one of his critics used the analogy between minting coins and establishing a commonwealth as the basis for a satirical attack:

New £1 coins. Image Rachel Hammersley.

New £1 coins. Image Rachel Hammersley.

That then Mr. Harrington for his rare invention and extraordinary good service in minting a          New Commonwealth, shall have the monopoly of coining all new Harringtons, alias brass farthings, which shall henceforth pass for the onely coin of his new copper Commonwealth, Gold and silver (which are Royal mines & metals annexed to the Imperial Crown of the Realm) being as inconsistent with his New Commonwealth, (which hath swallowed them all up) as Kingship, and therefore to be banished with it. (William Prynne, An Answer to a proposition in order to the proposing of a Commonwealth or democracy, London, 1659, p. 5).

William Prynne by Wenceslaus Hollar, National Portrait Gallery, NPG D26981. Reproduced under a creative commons license.

William Prynne by Wenceslaus Hollar, National Portrait Gallery, NPG D26981. Reproduced under a creative commons license.

The author of this passage was the Puritan William Prynne. He was responding directly to a work published by Harrington's friends in June 1659 and entitled: A Proposition in order to the Proposing of a Commonwealth or Democracy, which had called for the establishment of a parliamentary committee to consider whether Harrington’s proposals might be implemented. Prynne argued that before such a committee be appointed the MPs who had been excluded at Pride’s Purge in December 1648 (because they were felt to be too sympathetic to the King) should be readmitted to the House of Commons. The quote depicts what should happen if Harrington and his friends succeeded in convincing the committee. If they did not, then Prynne's proposal was more sinister. He suggested that they should attend the committee ‘with Ropes about their necks’ so that if their proposal was rejected they could be taken immediately to Tyburn to be hanged. The purpose of this negative outcome is clear enough, but to understand Prynne's joke about what would happen if Harrington and his friends did prove successful, it is necessary to know a little more about seventeenth-century coinage and the Harrington family's association with it.

Coin shortages, particularly of small denomination coins, had been a common problem from medieval times. The farthing, or quarter penny, was originally introduced in 1279, but the problem was still acute in the seventeenth century, when various solutions were attempted. These included issuing copper coins for the first time in England (they were already widely used in Scotland) and experimenting with different economic models. Various proposals for coining copper tokens were explored between 1607 and 1612, but it was with a proclamation dated 19 May 1613 that the period of experimentation properly began. With that proclamation James I reclaimed the prerogative to issue currency and outlawed all private money. The utility of farthing tokens was noted: 'whereby such small portions, and quantities of things vendible, as the necessitie, and use specially of the poorer sort of people, doth oftentimes require, may be conveniently bought, and sold without enforcing men to buy more ware than will serve for their use and occasions'. (A Proclamation for Farthing Tokens, 19 May 1613). The proclamation also suggested that the inconveniences associated with the lead tokens that had been circulating among tradesmen and their customers would be remedied by the production of these royally endorsed copper farthings. The expectation was that the measure would not only address the problems of small change and counterfeiting, but would also generate a healthy revenue for the crown. As copper tokens, the coins were not legal tender, but were 'to pass for the value of farthings ... with the liking and consent of his loving subjects'. (I am grateful to Barrie Cook of the British Museum for help in researching this section).

Sir John Harrington of Exton, by Magdalena and William de Passe, National Portrait Gallery, D25839. Reproduced under a creative commons license.

Sir John Harrington of Exton, by Magdalena and William de Passe, National Portrait Gallery, D25839. Reproduced under a creative commons license.

What, then, was the involvement of the Harringtons in all of this? As discussed in a previous blogpost, in October 1603 Sir John Harrington and his wife Anne (James Harrington's great uncle and aunt) became guardians to the young Princess Elizabeth, daughter of James I. From December of that year the princess lived with the Harringtons and they took responsibility for her household and education. This resulted in them incurring huge costs. By 1612 it is estimated that the Harringtons had accrued debts amounting to £40,000. Sir John Harrington petitioned for the right to coin copper farthings for three years to help recoup the costs. Thus, the proclamation of 19 May 1613 gave Harrington the monopoly on issuing copper farthing tokens and assigned to him £25,000 of the profits. Harrington gained the honour of having the farthings named after him - they were known as 'Haringtons' - but they did not  live up to expectations. The farthings proved unpopular from the outset, with several counties refusing to take any at all and others taking only small quantities, so that the total value distributed in the first six months was barely £600 (C. Wilson Peck, English Copper, Tin and Bronze Coins in the British Museum 1558-1958, second edition, London: Trustees of the British Museum, 1964, p. 21). It also seems that they did not prevent old practices of using lead tokens and of damaging or counterfeiting the royal tokens, since on 26 October 1615 a proclamation was issued outlawing the use of lead tokens and forbidding the counterfeiting of royal tokens as well as the marking, defacing, boring and clipping of them. From the perspective of the Harrington family the farthings not only failed to produce the expected level of revenue, but they also generated other problems. Rivals for the monopoly had been vocal from the outset. Following the death, in quick succession, of both Sir John Harrington and his son, private traders again began issuing their own tokens, presuming that the powers of the patent had lapsed. However, a proclamation issued on 21 June 1614 declared the patent still to be valid and argued that it lay with Sir John’s widow, though she seems to have given it up soon after.

There is a final chapter to this tale. On 9 May 1643 it was ordered that the future republican author, James Harrington, and his merchant brother William be made overseers of the farthing office, the proceeds of which were now to be used not to pay off the family debt, but rather ‘for the Use and Benefit of the Prince Elector Palatine’, on whose behalf James Harrington worked. It is undoubtedly significant that the Prince Elector Palatine was the son and heir of Princess Elizabeth. Consequently, despite the change of focus, this can be seen as the last chapter in the story. It helps to explain why Prynne, as late as 1659, could assume that his audience would laugh at a joke directed at James Harrington that associated utopian schemes to mint commonwealths with farthings.