Encountering Political Texts at the NLS II

The exhibition poster. Image by Rachel Hammersley.

On 8th December 2023 the exhibition 'Encountering Political Texts 1640-1770' - the final event of the Experiencing Political Texts project - opened at the National Library of Scotland. I offered an appetiser for the exhibition in my last blogpost by discussing the various books bound by Thomas Hollis that were donated to the Advocates Library in Edinburgh, some of which appear in the exhibition. This month I offer a taste of some of the other items on display - focusing on the themes of materiality, genre and the debating of issues in print.

Materiality

Opening graphics on the wall of the exhibition. Image by Rachel Hammersley

The Hollis editions are interesting because of their elaborate bindings and handwritten marginalia, which reflect Hollis's own reading of the texts. Other items on display in the exhibition also reflect the importance of texts as material objects. At the other end of the spectrum from the lavish Hollis volumes are the examples of unbound pamphlets. Reading 'original' pamphlets today generally involves going to a Special Collections reading room and identifying the pamphlet within a volume of such material that was bound together in book form at a later point in time. This experience of encountering early modern pamphlets is very different from that of their original readers. Pamphlets would have been sold on the streets by hawkers. They will have varied in size and quality, but many will have consisted of just a few pages of text printed on flimsy paper, their ephemerality reflecting the fact that they were often interventions in specific (and sometimes fleeting) events - a bit like a social media post today. They were not really intended to last - and it is important that we remember this when reading them.

Other material from the seventeenth century takes a more elaborate physical form. A prime example here are the three volumes of Eikon Basilike that appear in the exhibition. This important work was published in the immediate aftermath of the execution of Charles I in January 1649. Said to be based on Charles's own thoughts and writings during his imprisonment, this was a powerful work which sought to transform the failed king, who had been executed by some of his subjects, into a martyr worthy of veneration. The frontispiece image reflects this aim in its depiction of Charles discarding his earthly crown and seeking instead the heavenly crown of martyrdom. (A more detailed analysis of the image is available here). I have seen at least one version of this image that has been hand-coloured, with the King's robe light pink and his sleeves a deeper maroon. (In fact, the striking pink colour scheme of our project - which is reflected in the NLS exhibition - was inspired by this). While the version of the image in our exhibition is in black and white, the title page of the work, which is also on display, includes red ink, which was more costly to produce and so again an indicator of quality. The NLS also holds a small version of Eikon Basilike which has an embroidered cover. Whereas the red type was the work of the printer, this cover was probably produced by the owner of the work, reflecting its importance and significance to them.

Infographic produced by Nifty Fox reflecting the reading group discussion on ‘Books as Physical Objects’ as displayed in the Encountering Political Texts exhibition. Image by Rachel Hammersley

This beautiful little book reminded me of the Reading Group session we held earlier in 2023, to which each member brought a book that was special to them. One participant bought along a book with a handmade cover, like the copy of Eikon Basilike on display. Others had marginalia or material pasted or tipped in by the owner - and again we have an example of this in the exhibition. One of several pamphlets on display that engages with the debate over the union between England and Scotland in 1707, Parainesis Pacifica; or, A perswasive to the union of Britain has a letter tipped in at the back.

Genres

Another theme of our project that is reflected in the exhibition is the variety of genres used to convey political ideas. While pamphlets that engaged directly with contemporary debates, and presented the argument or viewpoint of the author, were common at this time, political ideas could also be conveyed through texts originally intended for oral delivery, such as proclamations and sermons (which would be preached from the pulpit and then printed). We have a number of these relating to the Union debate on display in the exhibition. Fictional forms such as utopias, invented travel narratives, and imagined dialogues were also popular ways of conveying political ideas in the early modern period. In addition, humour could be deployed to convey an argument in a more forceful way, as in the case of The comical history of the mariage betwixt Fergusia and Heptarchus - a humorous take on the union debate - which is included in the exhibition.

For many years newspapers were a key vehicle for transmitting up-to-date political news and information. At the present time when these are shifting online and are at risk of being overshadowed as a news source by social media, it is interesting to look back to their origins. While newspapers as we know them are generally seen as emerging in the eighteenth century, the mid-seventeenth-century crisis in the British Isles prompted the publication of newsbooks which served a similar purpose. Like modern newspapers they took different political stances (there were both royalist and parliamentarian newsbooks) and often included an editorial as a preface to the account of current affairs. At the NLS exhibition there are examples of several seventeenth-century newsbooks including Mercurius Politicus, Mercurius Britanicus, and The Publick Intelligencer.

Debates in Print.

Andrew Fletcher of Saltoun, by Andrew Birrell, published by Robert Wilkinson, after William Aikman, line engraving, 1798. National Portrait Gallery NPG D30937. Produced under a Creative Commons Licence.

As well as conveying and spreading knowledge of recent events, print could also be the site for political debate. The Union debate in the early eighteenth century generated a huge amount of printed material. Various examples are on display in the exhibition (some of which have already been mentioned). Sometimes individual authors would produce multiple responses and counter-responses to each other in print. In the exhibition are pamphlets attributed to Andrew Fletcher and James Webster produced in 1706-7. The initial pamphlet attributed to Fletcher did not explicitly oppose the idea of union, but suggested that a more equal union would be secured if each nation retained its own Parliament. On the other side, Webster, a Presbyterian minister who had previously been imprisoned for his religious opinions, argued against union on any terms, largely because of the impact it would have on the Scottish Kirk. Reading all the pamphlets in the debate gives a sense of how it unfolded and the different views it generated. We have to be careful too about authorship. Recent scholarship, as reflected in the article on Fletcher in the Oxford Dictionary of National Biography, suggests that although the pamphlet State of the Controversy betwixt United and Separate Parliaments was attributed to Fletcher, it was probably not written by him (John Robertson, 'Fletcher, Andrew, of Saltoun (1653?-1716)', Oxford Dictionary of National Biography).

While this exhibition is the final element of our Experiencing Political Texts project, this first blogpost of the year is an opportunity to look forward as well as backward. We are already planning to explore the themes of the exhibition with audiences in Edinburgh at two workshops linked to the exhibition that will be held on Tuesday 27 February and Tuesday 9 April 2024. It should be possible to sign up for these events via Eventbrite soon. In addition, we are already exploring how we can develop the ideas generated by the Experiencing Political Texts project in a new project focusing on Political Education. We are holding an initial exploratory workshop for this project in Newcastle on 17 January 2024. I hope to provide further updates as the year progresses.

The Swinish Multitude

In his influential and prescient early assessment of the French Revolution, Reflections on the Revolution in France, Edmund Burke revealed his contempt for ordinary people - describing them as a 'swinish multitude' and, in the eyes of some, questioning their right to education. If the natural social hierarchy was challenged, Burke argued - 'learning', together with its natural protectors and guardians the nobility and the clergy would be 'cast into the mire and trodden down under the hoofs of a swinish multitude' (Edmund Burke, Reflections on the Revolution in France. 8th edition. London, 1791, p. 117). The phrase hit a chord. As this Google Ngram illustrates, there was a huge spike in its usage following the publication of Burke's text, and it continued to be deployed well into the nineteenth century. The popularity and persistence of the phrase prompts several questions. Where did Burke get the idea from? What was the response to it? And why did it continue to be used for so long?

The origins of the phrase can be traced back to the Bible. In the Sermon on the Mount as recorded in Matthew Chapter 7 Verse 6, Jesus declared:

Give not that which is holy unto the dogs, neither cast ye your pearls before swine, lest they trample them under their feet and turn again and rend you (King James Bible).

‘A Swinish Multitude’, by John (‘HB’) Doyle, printed by Alfred Duôte, published by Thomas McLean. Lithograph. 7 October 1835. National Portrait Gallery: NPG D41349. Reproduced under a Creative Commons Licence.

The reference not just to pigs, but also to trampling good things under foot, makes clear that this was the source of Burke's phrase (interestingly the conceit also appears in William Langland's poem 'Piers Plowman' and in John Milton's 'Sonnet XII', where the 'hogs' are condemned for failing to properly understand the nature of liberty). Moreover, the notion of 'pearls of wisdom' enhances the connection with learning. Burke's opponents in the 1790s were quick to subvert his jibe and turn it to their advantage.

Early responses simply expressed hostility to Burke's sentiment. As, for example, William Belsham's reference in one of his Essays, philosophical, historical and literary of 1791 and Charlotte Smith's in her novel Desmond. Commenting on the calmness of the French people on the King's return to Paris Lionel Desmond asserts, in a vein that perhaps also alludes and responds to Milton's use of the term:

This will surely convince the world, that the bloody democracy of Mr Burke, is not a combination of the swinish multitude, for the purposes of anarchy, but the association of reasonable beings, who determine to be, and deserve to be, free. (Charlotte Smith, Desmond. A novel, in three volumes. London, 1792, Volume 3, p. 89).

Around the same time there appeared a song entitled 'Burke's Address to the "swinish" Multitude', to be sung to the tune 'Derry, down down', which satirised  Burke's position.

More substantial responses to Burke's argument about learning also began to appear. One of the earliest of these was A reply to Mr Burke's invective by the radical Thomas Cooper. Cooper was defending himself and his associate James Watt against an attack made by Burke in Parliament on 30 April 1792 concerning their presentation to the Jacobins on behalf of the Constitutional Society of Manchester. In the course of his defence, Cooper reflected on the relationship between knowledge and freedom. He condemned Burke for presenting national ignorance as a means of maintaining the position of the privileged orders and called instead for the dissemination of political knowledge so that the people could understand and secure their rights and freedoms:

Thus we find that public Ignorance is the Cement of the far famed Alliance between Church and State; and that Imposture, political and religious, cannot maintain its ground, if Knowledge and Discussion once finds its way among the Swinish Multitude. (Thomas Cooper, A Reply to Mr Burke's Invective. Manchester, 1792, p. 36).

Portrait of Thomas Cooper by Asher Brown Durand, after Charles Cromwell Ingham. Line engraving, 1829. National Portait Gallery: NPG D10570. Reproduced under a Creative Commons Licence.

This whole section of Cooper's work was inserted, unacknowledged, into the Address published by the Birmingham Constitutional Society soon after its establishment in November 1792. This is perhaps not surprising since the raison d'etre of these societies was precisely to spread political knowledge, and it was partly the actions of the London Society for Constitutional Information (alongside those of the Revolution Society) that had provoked Burke in the first place.

Around the same time, works began to appear that were presented as being written by 'one of the "Swinish Multitude"'. One of these was entitled A Rod for the Burkites. It was printed in Manchester and perhaps again emerged from the circles around the Constitutional Society. Sonnet for the Fast-Day. To Sancho's Favourite Tune by one of the swinish multitude was another satirical song to the tune 'Derry, down, down'. James Parkinson, writing under the pseudonym Old Hubert, published An Address, to the Hon. Edmund Burke, from the Swinish Multitude in 1793. Parkinson, a successful palaeontologist and surgeon who gave his name to Parkinson's Disease, was also an active radical with a sharp concern for the poor. Parkinson's Address argued that since men are all alike, they must all be swinelike. The difference, then, was between 'Hogs of Quality' who enjoy the luxuries of the stye and the poor swinish multitude who have to work hard to survive and are obstructed at every turn:

Whilst ye are chewing the greatest dainties, and gorging yourselves at troughs filled with the daintiest wash; we, with our numerous train of porkers, are employed, from the rising to the setting sun, to obtain the means of subsistence, by turning up a stray root or two, or perhaps, picking up a few acorns. But, alas! of these we dare not partake, untill, by the laws made by ye Swine of quality, we have first deposited by far the greatest part in the store house of the stye, as rent for the light of heaven and for the air we breathe. (James Parkinson, An Address, to the Hon. Edmund Burke, from the Swinish Multitude. London, 1793, pp. 17-18).

Moreover, Parkinson also argued that keeping the poor ignorant was a deliberate means of keeping them down:

it would be no more than justice, if these lordly Swine would enable us to instruct our young, so that they might be capable of comprehending the innumerable laws which are laid down for their conduct; and which should, they, even through ignorance, transgress, they are sure immediately to be sent to the county pound, or perhaps delivered over to the butcher. (Parkinson, Address, p. 19).

Title page of Spence’s Pigs’ Meat. Philip Robinson Library, Newcastle University. Special Collections: Rare Books (RB 331.04 PIG). Reproduced with kind permission.

A further move by the radicals built on this point. In September 1793 two new periodical publications appeared that again commandeered the porcine language on the part of the poor. Thomas Spence's One Pennyworth of Pigs' Meat; or, Lessons for the Swinish Multitude was swiftly followed by Daniel Isaac Eaton's Hog's Wash; or, a Salmagundy for Swine (subsequently retitled Politics for the People). These works not only spoke to and on behalf of the so-called 'swinish multitude', as Parkinson had done, but were designed to provide them with useful political knowledge. They offered short extracts from a range of texts that were 'Intended' as Spence explained:

To promote among the Labouring Part of Mankind proper Ideas of their Situation, of their Importance and of their Rights, and to convince them That their forlorn Condition has not been entirely overlooked and forgotten nor their just Cause unpleaded, neither by their Maker nor by the best and most enlightened of Men in all Ages. (Thomas Spence, Pigs' Meat, title page).

Similarly, the full title of Eaton's publication explained that it consisted:

Of the choicest Viands, contributed by the Cooks of the present day, AND of the highest flavoured delicacies, composed by the Caterers of former Ages. (Daniel Isaac Eaton, Hog's Wash, 1793).

Title page of Eaton’s Politics for the People. Philip Robinson Library, Newcastle University. Special Collections: Friends (Friends 336-337). Reproduced with kind permission.

The extracts presented for the enrichment of the swinish multitude were eclectic. They included passages from: popular radical authors of the day such as William Frend, Joel Barlow, and John Thelwall; previous generations of radicals including John Trenchard and Thomas Gordon, James Harrington and Algernon Sidney; but also more mainstream authors like Jonathan Swift, John Locke and Samuel Pufendorf. Moreover, the Bible was also a fundamental source for both editors, with quotes from various books of the Old and New Testaments being deployed to demonstrate that God favoured support for, rather than oppression of, the poor.

Though politically they were polar opposites Spence and Eaton endorsed what they saw as Burke's sense of the connection between ignorance and oppression and, therefore, between knowledge and resistance. Their hope was Burke's fear; that by providing the poor with political nourishment - feeding their minds as well as their bodies - they would be led to see and acknowledge both the oppression under which they suffered and the justice of their right to overthrow it. This, it was hoped, would provoke them into action. It did not, of course, but both the hope and the fear remain to this day.

Fifty Years of the World Turned Upside Down

Is what I am doing worthwhile? How can I make a difference? I often ask myself these questions. They feel especially pressing in the midst of the current cost of living crisis, in the face of impending environmental disaster, and in a situation of growing inequality both within Britain and between us and the global south. In this context, writing books and articles on obscure early modern figures and their ideas - and teaching classes to students who are relatively privileged - can feel self-indulgent. It was, therefore, reassuring to learn from Penny Corfield, at a recent conference to celebrate 50 years since the publication of The World Turned Upside Down, that the eminent early modern historian Christopher Hill was troubled by these questions too. Like me, Hill was no doubt partly prompted by the inspiring phrase from Gerrard Winstanley, which I have quoted before in this blog: 'action is the life of all, and if though dost not act, though dost nothing' (Gerrard Winstanley, A Watch-Word to the City of London and the Armie, London, 1649).

The programme for the conference, which was expertly organised by Waseem Ahmed in conjunction with John Rees.

In his excellent paper on Hill's life and thought, which marked the culmination of the conference, Mike Braddick explained that as a young man in the 1930s Hill was already 'thinking like a Marxist' but did not yet know what to 'do'. Of course, he soon found his role. As Mike explained, writing history was Hill's contribution. As one obituary of him noted, Hill was 'an historian's historian' and yet works like The World Turned Upside Down spoke not just to academics, but also to ordinary people. Moreover, as Ann Hughes explained in her paper, Hill also reached out in many different ways to a wider public through his involvement with organisations such as the Workers' Educational Association, the Open University, and the BBC. I was bemused to learn that Hill's piece 'James Harrington and the People' was originally written for radio. Oh if only someone would commission a radio programme on Harrington today! Similarly John Rees reported, on the basis of his own experience, that Hill was always happy to be associated with the organised left and gave inspiring speeches to large crowds.

There is an interesting parallel between Hill's commitment to venture beyond academia, presenting his historical research (and that of others) to the general public, and the subject matter of The World Turned Upside Down. That book took seriously the ideas of ordinary people. Its protagonists are not the 'great' thinkers of the seventeenth century but rather the ordinary people (some of them very humble indeed) who were caught up in events. Hill was interested in ideas that inspire practical political action, regardless of the social status or level of education of those who voiced those ideas and took that action.

A poster advertising the film Winstanley about the Digger movement, one of the key groups to feature in Christopher Hill’s The World Turned Upside Down. Author’s own copy.

This focus was reflected in several of the papers at the conference, including papers that dealt with figures who feature in The World Turned Upside Down and papers on those who perhaps should have done, but do not. It was apt to have Ariel Hessayon talking about the Ranters and Bernard Capp to say something about the Fifth Monarchists. Ariel contextualised Hill's account of the Ranters in The World Turned Upside Down and emphasised the fact that the strength of Hill's book lay in making these rather obscure figures visible. He also noted that Hill came to the Ranters quite late. Capp extended this point, acknowledging that the radicals are not prominent in many of Hill's earlier works such as The English Revolution 1640 and The Century of Revolution (though this partly reflects the nature of those publications). Capp also suggested that the Fifth Monarchists and Muggletonians ranked lower in Hill's estimations than the Ranters and the Diggers, not least because their ideas did not all sit comfortably with his understanding of radicalism.

Author’s copy of Hill’s book showing the tub-thumping preacher on the cover.

Several speakers made the case for particular individuals to be considered as radicals. Jackie Eales's paper focused on the radical preacher James Hunt of Sevenoaks, who does not appear in The World Turned Upside Down despite probably being the tub-thumping preacher on the cover of the original edition. Jason Peacey argued the case for George Wither and asked the thought-provoking question: How would our view of radicalism change if Wither were taken more seriously? Ed Legon's paper focused on individuals even more obscure than Hunt and Wither, textile workers-cum preachers such as one Thomas Moore, 'Dingle', and others for whom we do not even have a name. The link between textile workers and radical puritanism has long been recognised, if not fully explored, but other speakers found radicals in even more unexpected places. Will White made the case for the neutral Francis Nethersole as a radical of sorts. He pointed out that refusing to take sides was itself a political act, which might lead to disobedience and required considerable courage. He also noted the similarities between ideas put forward by Nethersole to justify his neutrality and those expressed by the Leveller William Walwyn in The Bloody Project. The fluidity implicit in Walwyn's position (and acknowledged by Hill) was also reflected in the activities of another Leveller, Captain William Bray, who was the subject of Ted Vallance's paper. Ted showed how Bray haunted the boundary between the Levellers and the Ranters. In part, this fluidity stems from thought being geared to political action, since engaging in politics (rather than merely contemplating it) may require pragmatism: deploying different arguments for different audiences; rearranging priorities in response to events; and even setting aside key principles at certain moments.

The image of the world turned upside down from the pamphlet of the same name.

This leads to another point that was reflected in both Hill's life and his work. The importance of free and open debate, and even the possibility that ideas might be changed through it. As Ann, John and Mike all noted, Hill experienced this himself in the debates in which he engaged as a member of the Communist Party Historians’ Group between the late 1930s and 1957. The idea of open debate was also reflected in papers that themselves turned conventional interpretations upside down. For example, Richard Bell showed that the interest of key Levellers in prisons was not a case of them bringing political consciousness to prisoners, but rather of the Levellers tapping into a long-standing campaign for prison reform. Similarly, Laura Stewart made a convincing case for the notion of a Scottish Revolution, emphasising the need for it to be understood on its own terms.

Laura's paper was one of many that either ventured beyond Hill's field of enquiry or even challenged key aspects of his thought. As Penny Corfield made clear, Hill would have enjoyed and appreciated the debate. He welcomed respectful disagreement on the grounds that thinking could be advanced in the process. As Mike explained, the members of the Communist Party Historians’ Group were not aiming to impose an orthodox view of the English Revolution but rather engaged in lengthy, deep and open discussion to try to work out the relevance of Marxist theory for English history. For Hill it was important that ideas were debated and kept in use.

Sketch of the bust of Thomas Spence. From the collection of the Literary and Philosophical Society of Newcastle upon Tyne. Hedley Papers. Reproduced with kind permission. With thanks to Harriet Gray.

The conference papers and discussions certainly inspired me, helping me better to understand and articulate the meaning of my own life and work. I too am committed to analysing not simply the ideas of great political thinkers of the past, but also those of ordinary people caught up in events. My PhD research examined the ideas of relatively humble French revolutionaries who were members of the Cordeliers Club, and considered the ways in which they adapted English republican ideas to their own situation. In my current research I am exploring how reformers and radicals in late eighteenth- and early nineteenth-century Britain articulated their arguments. In this regard, the Newcastle-born radical Thomas Spence is of particular relevance. Despite being from a very humble background, Spence developed innovative political ideas of his own and believed strongly in the value of providing political education to all members of society, regardless of their wealth or social status.

At the same time, I am committed to engaging with audiences beyond academia. I have been involved with a number of exciting projects alongside our excellent educational outreach team from Newcastle University's Robinson Library and staff at the National Civil War Centre. Our current project involves working with Year 12 students on oracy and debate. Meanwhile, the Experiencing Political Texts project (https://experiencingpoliticaltexts.wordpress.com) has provided an opportunity to work with members of the public in a regular reading group where discussions are always thought-provoking. We will develop this further as we put together two exhibitions, one at the Robinson Library, Newcastle University this summer and another at the National Library of Scotland, opening in December. Finally, this blog has provided a valuable opportunity to share my research with a wider audience, but also to reflect on the implications of the ideas of the past today. I can only dream of producing a book like The World Turned Upside Down, but by taking seriously the ideas of all people - including those who have so often been silenced - perhaps I can make a small contribution and heed Winstanley's injunction to 'act'.

Radical Periodicals

On Twitter, I particularly enjoy following English Radical History (@EnglishRadical) which was created by Matthew Kidd. Its tweets introduce key figures and dates in radical history, as well as sharing short quotations from radical texts that often speak directly to contemporary affairs. In this last regard, @EnglishRadical is a modern reincarnation of the popular radical periodicals of the 1790s which sought to educate 'ordinary' readers by sharing short extracts from key political texts.

Title page of Thomas Spence’s Pig’s Meat: Or Lessons for the Swinish Multitude (London, 1793-1795). Image by Rachel Hammersley from the copy held at the Robinson Library, Newcastle University. Rare Books (RB 331.04 PIG). Reproduced with kind permission.

The best known of these publications were One Pennyworth of Pig's Meat; Or Food for the Swinish Multitude (1793-1795) produced by Thomas Spence and Hog's Wash; or a Salmagundy for Swine (1793-1795), later given the more prosaic title Politics for the People, which was the work of Daniel Isaac Eaton. The porcine references in the titles were not coincidental but a deliberate response to Edmund Burke's dismissive comment in Reflections on the Revolution in France that unless learning remained the preserve of the nobility and priesthood (as had traditionally been the case) it would be cast with them 'into the mire and trodden down under the hoofs of a swinish multitude' (Edmund Burke, Reflections on the Revolution in France. London, 1790, p. 117). Far from being cowed by this slight, Spence interpreted it as a challenge. The first issue of Pig's Meat, which appeared in September 1793, offered extracts that had been collected by the 'Poor Man's Advocate' (a title Spence had first adopted in the 1770s) over the previous twenty years. His aim, in making them available to the 'Labouring Part of Mankind', was to promote among them 'proper Ideas of their Situation, of their Importance, and of their Rights. And to convince them That their forlorn Condition has not been entirely overlooked and forgotten, nor their just Cause unpleaded, neither by their Maker nor by the best and most enlightened of Men in all Ages' (Thomas Spence, One Pennyworth of Pig's Meat. London, 1793, p. 1).

Edmund Burke from the studio of Sir Joshua Reynolds, c. 1769. National Portrait Gallery, NPG 655. Reproduced under a Creative Commons Licence.

The extracts offered in Pig's Meat were taken from a variety of texts. These ranged from relatively obscure pamphlets produced during the Interregnum, such as William Sprigge's A Modest Plea for an Equal Commonwealth Against Monarchy (1659), via standard commonwealth fare like John Trenchard and Thomas Gordon's Cato's Letters (1720-1723), to more recent radical commentary as in William Frend's Peace and Union (1793). The most frequently quoted author was James Harrington. Spence included excerpts from several of the works reprinted in John Toland's The Oceana of James Harrington, and his other works, and he stated explicitly in volume 1 that 'Portions of this Collection will frequently be inserted in the Course of this Publication' (Spence, Pig's Meat, p. 79). While the majority of excerpts were taken from prose pamphlets, the full range of genres on display was wide, with sermons, correspondence, travel literature, and even poems and songs all being included.

Title page of Politics for the People, or A Salmagundi for Swine (London, 1793-1795). Image by Rachel Hammersley from the copy held at the Robinson Library, Newcastle University. Special Collections (Friends 336-337). Reproduced with kind permission.

The extracts explored various themes including: free speech; constitutional reform; the oppression of the poor; and the superiority of republican over monarchical government. Many spoke obliquely to contemporary political events. For example, several considered the negative effects of war, particularly for the poor, a resonant (but also a controversial) issue at the height of the conflict with the French Republic. A key feature of Spence's periodical - which was advertised on the title page - was the fact that he included Biblical passages alongside secular texts. He was keen to demonstrate that the ideas he was advocating, in particular concern for the poor, could be found in the Bible itself. Moreover, the political authors cited included not just known radicals such as Joel Barlow, Richard Lewes, and Spence himself, but also more mainstream - even conservative - thinkers such as Jonathan Swift, Lord Lyttleton, and Samuel Pufendorf, who were cited in such a way as to draw out the radical implications of their arguments.

Just a few weeks after the first issue of Pig's Meat appeared, Eaton launched Hog's Wash, which was very similar in its approach and format. It too immediately drew attention to the Burkean inspiration. The epigram by 'Old Hubert' declared:

Since Times are bad, and solid food is rare;

The Swinish herd should learn to live on Air:

Acorns and Pease, alas! no more abound,

A feast of Words, is in the HOG TROUGH found.

The subtitle claimed that the work would consist:

Of the choicest Viands, contributed by the Cooks of the present day,

AND

Of the highest flavoured delicacies, composed by the Caterers of former Ages.

(Daniel Isaac Eaton, Hog's Wash, or A Salmagundy for Swine, London, 1793,

Titlepage).

Though the price was 2d (double that of Spence's periodical), it was still clearly aimed at ordinary folk. Alongside the sort of fare found in Pig's Meat, Eaton also made much use of fables designed to deliver moral messages. For example, at the beginning of the sixth issue he offers the tale 'Logs, Storks, and Asses' that he claims was written in 1694, soon after the Glorious Revolution. Its message was that even when the people choose their own king, they still tend to end up with a bad ruler who hinders, rather than benefits, his subjects.

Spence’s letter in Politics for the People. Image by Rachel Hammersley from the copy detailed above. Reproduced with permission.

The connection between Pig's Meat and Hog's Wash was more direct than just a similarity of purpose and format. Eaton's first issue opens with a letter addressed to him and dated 9th September 1793, which praises the publication. The letter's author expresses concern 'that the provision should be devoured faster than ever your unremitting exertions might be able to supply it' and so offers 'a few morsels from his own store of "Hog's Meat" (Eaton, Hog's Wash, p. 2). The passages that follow come from Lord Lyttleton's Persian Letters, excerpts from which had also appeared in the first volume of Pig's Meat. Moreover, the letter is signed  'A Brother Grunter', a pseudonym that Spence had previously used when writing to Eaton directly.

The first page of the first issue of John Marshall’s The Newcastle Christian Reformer’s Monthly Tract (Newcastle, 1821). Image by Rachel Hammersley from the copy at the Robinson Library, Newcastle University. Special Collections Edwin Clarke Local (Clarke 559). Reproduced with kind permission.

It was not only Eaton who was inspired by Spence's model, nor did such publications only flourish in London. In the 1790s Welsh-language versions quickly appeared. Similarly, in the 1820s a Newcastle printer, John Marshall, published The Newcastle Christian Reformer's Monthly Tracts in which religious and political texts were interspersed with fables. In January 1823 Marshall began publishing the Northern Reformer's Monthly Magazine. It comprised a range of political material and its purpose was reflected in this statement that appeared in the final issue:

The editors of this Magazine, during the short period of their labours endeavoured to enlighten and instruct their fellow countrymen on subjects closely connected with their interests and the common good; and have also exposed some of the grossest evils of the system of misgovernment under which we are, for some time longer, it is feared, doomed to suffer.

In many respects the zenith of this genre came with the publication in 1839 of William J. Linton's The National, which, as I noted in a previous blogpost, was subtitled A Library for the People. It provided readers with extracts from a wide range of texts, including a number that had appeared in the publications of Spence and Eaton - such as Swift, Harrington, Godwin, Milton, Voltaire and Rousseau. Indeed some passages were identical, suggesting that we can see here the creation of a canon of radical texts.

Though times (and methods) are very different today, the tradition does continue. On 2 July 2022 @Radical History commemorated the birth in 1750 of Thomas Spence with this tweet:

Experiencing Political Texts 6: Materiality

We currently find ourselves on a cusp with regard to the materiality of texts. Print copies are still common, but digital editions and open access publishing are on the rise. Yet, for now, the conventions of print tend to provide the framework for digital editions with an emphasis on recreating the look and experience of reading a printed book (for example with 'Turning the Pages' technology) rather than exploring the new possibilities that digital editions might offer.

Despite his experimental use of genre and the blending of fact and fiction, the physical format of Yanis Varoufakis's book Another Now, which I have discussed in previous blogposts in this series, is relatively conventional. It is available in hardback, paperback, as an audio download, and in e-book form with the last of these merely comprising a digital version of the print copy. However, Varoufakis does acknowledge potential innovations in future in his description of what happens when the narrator Yango Varo first opens Iris's diary:

Two red arrows filled my vision as my hybrid-reality contact lenses detected audio-visual content in the diary and kicked in. Instinctively I gestured to switch off my haptic interface and slammed the book shut. Costa had explicitly instructed me to set up the dampening field device before opening the diary. Chastened by my failure to do so, I went to fetch it. Only once the device was on the desk, humming away reassuringly, was I able to delve into Iris's memories in that rarest of conditions - privacy. (Yanis Varoufakis, Another Now: Dispatches from an Alternative Present. London: Bodley Head, 2019, p. 5).

Title page of Toland and Darby’s edition of The Oceana of James Harrington. Reproduced from the copy at the Robinson Library Newcastle University, BRAD 321 07-TP. I am grateful to the Library staff for allowing me to reproduce the work here.

I have already touched on the materiality of early modern texts in previous blogposts (January 2021, September 2020), but there is more to explore. One area of interest is the way in which the material or physical form of a text was deliberately designed to engage a specific audience. During the eighteenth century the English republican works first published during the mid-seventeenth century were directed, in successive waves, at different audiences and the physical format of those editions varied accordingly. 

Many of the original English republican texts published during the mid to late seventeenth century had been relatively small, cheap editions. When John Toland and John Darby decided to reprint these works at the turn of the eighteenth century, they deliberately reproduced them as lavish folio editions. We know from personal correspondence that they took care to use high quality paper and the title pages often include words in red type, which was more expensive. The size and quality of these volumes makes clear that they were aimed at a high-status audience - particularly members of the political elite. They were destined for their own private libraries or those used by them. While in one sense this was exclusionary - putting these works (and the ideas contained within them) beyond the means of ordinary citizens - there was a positive reason for doing so. Toland and Darby were keen to make clear that, although these texts had been published in the midst of the chaos of the civil war and interregnum, they remained of interest - and of relevance to those in government - even after the restoration of 1660. These works were not mere ephemera, but were of lasting significance and continued relevance in the eighteenth century even though England was no longer ruled as a republic.

Binding of Thomas Hollis’s edition of Harrington’s works. From Houghton Library, Harvard University. HOU GEN *EC65.H2381 656c (B) Lobby IV.2.18. I am grateful to the Houghton Library for giving me permission to reproduce this and to Dr Mark Somos for his assistance.

Thomas Hollis was aware of Toland's publishing campaign and built his own on its foundations. He republished many of the same texts, and again did so in the form of lavish folio volumes with expensive bindings. Hollis commissioned the Italian engraver Giovanni Cipriani to produce portraits of the authors to preface the volumes and to design little emblems that could be embossed onto the front as a key to the nature of the work inside. However, Hollis's dissemination strategy was aimed less at the private libraries of the elite and instead at institutional libraries - public libraries such as those established in cities like Leiden in the United Provinces and Bern in Switzerland, but also the libraries of educational establishments such as Christ's College Cambridge and, most famously, Harvard in the United States. This suggests that Hollis's target audience was less the current political elite than that of the future. His aim was to educate the next generation - especially in America where, from the 1760s, a crisis was brewing.

The American Revolution, when it came, had a significant impact on both sides of the Atlantic. The slogan 'no taxation without representation' flagged up political inequalities in Britain and provided fuel for the incipient reform movement. To further the cause of reform, the Society for Constitutional Information (SCI) was established in 1774. Its main mode of operation was to print cheap copies of political texts which were disseminated freely. In particular, members of the SCI believed it necessary to educate the people on the nature of the British constitution. As the Address to the Public, published in 1780, explained

John Jebb, one of the founder members of the Society for Constitutional Information. Portrait by Charles Knight, 1782. National Portrait Gallery NPG D10782. Reproduced under a Creative Commons Licence.

As every Englishman has an equal inheritance in this Liberty; and in those Laws and that Constitution which have been provided for its defence; it is therefore necessary that every Englishman should know what the Constitution IS; when it is SAFE; and when ENDANGERED (An Address to the public, from the Society for Constitutional Information. London, 1780, p. 1).

The Society focused on printing works that contributed towards this mission, stating that:

To diffuse this knowledge universally throughout the realm, to circulate it through every village and hamlet, and even to introduce it into the humble dwelling of the cottager, is the wish and hope of this Society.

Consequently, the SCI disseminated works such as Obidiah Hulme's Historical Essay on the English Constitution, but also extracts from older works that spoke to these issues. Yet, as the statement of intent makes clear, the Society aimed to disseminate political works not simply among an elite, as their predecessors had done, but throughout the population. This, it was believed, was the best means of awakening people to their rights and thereby furthering the case for the reform of Parliament.

The SCI continued to function into the 1790s and was, therefore, well placed to capitalise on further calls for reform sparked by the outbreak of the Revolution in France in 1789. In this febrile atmosphere, others took up the cause of educating the ordinary people about their rights by making available to them important political texts from past and present.

Spence token advertising Pig’s Meat. Reproduced from Wikimedia Commons.

In 1793 the Newcastle-born radical Thomas Spence published the first issue of a weekly publication entitled Pig's Meat; or, Lessons for the Swinish Multitude, which printed extracts from political texts including from works that had been republished by Toland and Darby or Hollis. The title was a reference to Edmund Burke's derisory comment in Reflections on the Revolution in France which referred to the ordinary people as swine. Spence's publication cost just 1 penny, making it affordable even for those who were relatively poor, and as he explained on the title page, his aim was 'To promote among the Labouring Part of Mankind proper Ideas of their Situation, of their Importance, and of their Rights. AND TO CONVINCE THEM That their Forlorn Condition has not been entirely overlooked and forgotten, nor their just Cause unpleased, neither by their Maker nor by the best and most enlightened of Men in all Ages.' Alongside his Pig's Meat publications, Spence engaged in other means of spreading political ideas including writing works of his own and producing and disseminating tokens.

What is the relevance of all this? First, it reminds us that it is not just the content of political works that matters, but also the form in which they are printed, and the way they are disseminated and read. Literary critics like George Bornstein, inspired by Jean Genet and Jerome McGann, have been making this point for some time. But it has yet to fully penetrate the historical investigation of political texts. Secondly, the attempt by authors, editors and reformers to reach ever wider sections of the population during the course of the eighteenth century is striking. It reveals the importance of politics to eighteenth-century British society and the firm belief (at least on the part of some) that political education could and would bring political reform. Is there, I wonder, the same appetite for political knowledge today? What kind of publications would best attract twenty-first century audiences? And what kinds of reform might they propose?